Summer is for sitting in courtyard cafes and having espresso with ice cream for breakfast and for reading, reading, reading. Here are some of the best books I’ve read over the last few weeks.
Lauren Groff, Arcadia.
I am such a sucker for hippie utopias turned dystopias. Groff is an elegant writer, and her book shades from recent past to near future almost imperceptibly, so that it takes a few pages to realize that the novel has shifted from coming-of-age narrative to a subtle kind of science fiction. I’ve noticed that strategy in a few novels recently: fictions that begin in a shared past, move through the present and then sidle forward into a speculative future that feels all the more intimate because it hasn’t been announced from the first page with Star Wars style stage setting–“a long time ago in a galaxy far far away…”. Jennifer Egan does something similar in A Visit From the Goon Squad as does Chris Ware in Lint. It’s an interesting technique, and it makes a disintegrating, dangerous future seem extremely close.
Tony Judt, Thinking the Twentieth Century.
I used to think that Tony Judt’s last name was “Thatantisemite” as in “Tony Judt Thatantisemite” because that’s how people talked about him after he published this article. But they did him a terrible disservice, and themselves a worse one. This is Tony Judt’s last book, composed as a series of interviews, which means that Yale historian Timothy Snyder asked a few careful questions and Tony Judt replied in brilliant full paragraphs that go on for pages. His ALS had advanced so far at that point that he could not write the book he had been planning; instead, he spoke it. The book is full of reading and learning and ethical self-confidence and intellectual high seriousness. He turns the twentieth century around in his head and gives it back to me, complex but crystalline, along with a long list of books I have been remiss in never reading – Heda Kovalys’ Under a Cruel Star, Stefan Zweig’s The World of Yesterday. I am going to have to spend the rest of the summer following his bibliography so that I deserve this book.
At one point Snyder and Judt are talking about the role of the intellectual, and Snyder says, “We remember Cassandra, but no one remembers what her unpleasant truth was.” Here is Judt’s reply.
“Fair enough. The unpleasant truth is normally, in most places, is that you’re being lied to. And the role of the intellectual is to get the truth out. Get the truth out and then explain why it is just the truth…I think the danger of thinking of intellectuals as inspirers is that we will ask them for grand narratives again, or for large moral truisms. And the larger the truism and the grander the narrative, the more they’ll look like the kind of inspiring intellectual that we think we want. And I don’t think we want that.”
Tony Judt gets a shout out from Zadie Smith in her recent article on austerity and British libraries. That’s because he’s the intellectual we want, in that old sense of “want”–meaning that he’s the intellectual we lack. We need his tonic truth-telling, and we are the poorer to have lost him.
Roberto Bolaño, The Secret of Evil
Some of these pieces are unfinished, and most of them are very strange, and it matters not at all because Bolaño is so brilliant that he can turn a description of an old photograph into a meditation on romantic and philosophical entanglement and a description of a family vacation into a hammer to crack your heart. He’s God’s own mashup of Borges and Kerouac, only funnier than either of them, and when I first read The Savage Detectives a few years ago I walked around feeling like someone had given me a present. This also contains the best zombie story I read all year (and I read a surprising number of zombie stories this year, including this and this). It’s less a story than a fifteen page summary of a B-movie that never existed, and it first appeared in Granta’s horror issue, which will now also join my summer reading list. But the very best thing about it is that it begins with these opening lines: “You’re not going to believe this, but last night, at about four a.m., I saw a movie on TV that could have been my biography or my autobiography or a summary of my days on this bitch of a planet, it scared me so fucking shitless I tell you I just about fell off my chair.” Now that’s how you start a zombie story.
I should also mention the Stefan Zweig novellas Twenty Four Hours in the Life of a Woman and The Royal Game, Patrick de Witt’s The Sisters Brothers and Ablutions, and Octavio Butler’s Parable of the Talents. But my worst summer reading has to be Christopher Hitchens’ Hitch 22. It isn’t just the dumb take on the Heller title. Nor is it the fact that he slips into French when describing the ravissant shoulders of Martin Amis’s old girlfriend, even though that made me feel like I was being groped right through the pages. And it isn’t only his description of the word games that he and his buddy Salman Rushdie plays–substituting dirty words in the titles of famous books and movies –as if they were the astonishingly clever gambols of fucking wordsmiths rather than something that pretty much any literate twelve year old has tried and already grown out of. Though he does describe those games four times. No, it’s the insufferable, self-justifying, bombastic tone he takes when talking about his stance on Iraq and his role in inflaming Islamophobia and the politics of fear during those black years. Sorry, Hitch, you may be dead, but you’re still not right.
And here is my best summer reader. If biology is destiny (and it is) he is destined to spend the rest of his days stumbling down the sidewalk with his head in a book and hiding a magazine on his lap under the dinner table. Poor child. As J. said, there isn’t enough Dav Pilkey in the whole world.